Explore my complete portfolio of visual effects work across films, commercials, and experimental projects.
Showing 25 of 25 projects
I worked as Lead Compositor for Sonic the Hedgehog 3 at ILM Sydney, where we delivered over 350 shots in just three months. Despite the tight schedule, our team produced some truly spectacular work.
Skeleton Crew was an incredible project to lead. One of the highlights was collaborating with some of the most iconic figures in the VFX world: John Knoll, Jon Favreau, and Jon Watts.
Stunning work from ILM in bringing the Romulus space station and planetary environments of Alien: Romulus to life.
Ultraman: Rising was an incredibly fun and rewarding project. We had a lot of artistic freedom to make each shot shine.
ILM Singapore was responsible for most of the opening train sequence in Indiana Jones and the Dial of Destiny.
It was an honor to work with Steven Spielberg for the second time — one of my all-time favorite directors.
I worked on Episode 4 of Obi-Wan Kenobi — one of my favorite characters in the Star Wars universe.
Who doesn’t want a few epic dinosaur shots on their reel?
Boba Fett and the Hutt Twins have never looked better.
Morbius was packed with intense particle FX and some wild facial transformations.
My first project as a Lead, Free Guy was an exciting and rewarding experience despite challenging circumstances.
Digital Domain handled the final episode of this Marvel TV series.
I had the privilege of contributing to this great looking series, with VFX by Framestore Montreal.
I jumped in at the very end of the project to support the final delivery of Pokémon: Detective Pikachu.
Magic spells and creature integration for the second part of Fantastic Beasts.
Crowd integration, set extensions, tricky keying, and a whole lot of fire brought this project to life.
A fun but short incusrion in the Transformers universe, with a lot of incredible VFX work.
Directed by Ron Howard, under the supervision of Nigel Summer at ILM Singapore, this project was very special.
It was an honor to work with Steven Spielberg for the first time — one of my all-time favorite directors.
My last project at Digital Domain Vancouver. I really enjoyed the whole process!
Great creature work and Environments from Digital Domain in this Disney Classic
Crazy fun show to work on, broken limbs, blood splatters and epic desturction all around.
Fast but great looking VFX by Digital Domain Vancouver
Dracula Untold was a fun but short project.
I was part of the core team on Guardians of the Galaxy, the first release of this incredible franchise.